FREE ON CINEGEEK.DE Sons Of Norway (engl. subt.) 

Theory and practice In the past, the parents decided that we went to the Grips-Theater on Hansaplatz, because there were children's plays being performed, in which the father/boss/landlord was the bad guy. Or we sang children's songs from Chile from the song meeting of the FDJ (you got the records when you visited East Berlin). Or revolutionary children's songs from the excavator driver Willibald (he chases the boss away - together with the workers). In short, my generation grew up in progressive families. A good example of this generation is Magnus (Sven Nordin), the architect and builder of the housing complex in Oslo where Magnus' family lives. Magnus and his lovely wife Lone have two sons. Then a catastrophe occurs; Lone dies in a traffic accident. But that's not the primary concern. It's about dealing with grief - because tormented by grief and rage the punk of the 78s enters the hippie family... Jens Lien's film knows a lot about the Norwegian culture of the late 70s when punk killed the culture of hippies. What does it mean to be a punk anyway? Answer: To be against hippies. And nothing else. That's why the safety pin is stuck in the cheek and the debut of the Sex-Pistols is played. And that daily. Problem only; what does the punk rebel do when parents decide to copy his style? Where is the rebellion then? P.S. Search for the cameo of Johnny Rotten.