FREE ON CINEGEEK.DE Rudolf Thome - Pink 

How does a beautiful love story work? A couple looking deep into each other's eyes? Not enough. We have to feel their love. Or even better: fall in love with ourselves. Rudolf Thome films work like this: Thome himself is in love with his characters AND his actresses. That's why Hannah Herzsprung is omnipresent in pink. The camera loves her. Thome loves her. So do we. She sits in a pink shirt against a blue background. Or in the purple part in front of poison green. Thome does everything to put Herzsprung in the right light. He is just in love. And Herzsprung can be narcissistic, because she is a diva! In addition, there is music that could also come from a French film of the 60s. And isn't Thome the only worthy descendant of the Nouvelle Vague? Pink alias Herzsprung therefore has three admirers. A businessman and typical dream man with a winning smile and a somewhat tranquil eco farmer. Who will she choose? The organic farmer has somehow become rich. Like that we experience as little as the first encounter with these men. But Pink doesn't need any money. She earns her own with readings. "I'll write until I'm dead" is one of her poems. Does that sound like Thome? I would wish it for him, because for some time now nobody has been financing the works of this greatest German independent filmmaker! What a shame! Please look at Pink and change that! Says the filmkunstbar Fitzcarraldo.